Originally published on Tue October 8, 2013 12:08 pm
Not unlike childbirth, the odyssey of fits and starts that preceded the completion of Walt Disney Concert Hall in Los Angeles hurt like hell at the time. But today, 10 years later, Angelenos marvel on a daily basis at architect Frank Gehry's dazzling offspring: the incandescent beauty of its billowing metallic sails, especially at dusk, in L.A.'s famed purple-pink fading light; its iconic status as an architectural symbol of the city and its warm and vibrant acoustics.
This morning the New York City Opera announced that it was declaring bankruptcy and ceasing operations. Dubbed "The People's Opera" by Mayor Fiorello LaGuardia when it was founded 70 years ago, the company was meant as an alternative to the richer Metropolitan Opera. It's the place where exciting young singers like Beverly Sills and Placido Domingo made their New York debuts and where innovative productions of new operas premiered.
Musician Emily Bear has composed more than 350 pieces for the piano. She's recorded six albums, performed at the White House and Carnegie Hall, and worked closely with her mentor, music legend Quincy Jones. And get this: She's 12.
Gabe Baltazar (fourth from left) at New York City's Birdland Club in 1962, with members of Stan Kenton's band and the Count Basie Orchestra. The photo, from Baltazar's collection, is signed by Kenton (fourth from from right) and trumpeter Harry "Sweets" Edison (second from right).
Credit Courtesy of Gabe Baltazar
The Paul Togawa Quartet at the El Sereno Club in Los Angeles in the late 1950s. Left to right: Gabe Baltazar, Paul Togawa, Dick Johnston, Buddy Woodson.
Saxophonist Gabe Baltazar got his big break after Stan Kenton heard him playing in a college band and invited him to join his Orchestra in 1960.
"One of my biggest highlights in Stan's band was being featured on a beautiful standard tune called 'Stairway to the Stars,'" the 83-year-old Baltazar says. "He liked that tune, and he thought it would be my signature song. And throughout my career, four years with the band, I was featured on that and it was just great."
An Australian record label may have picked a fight with the wrong guy. The label sent a standard takedown notice threatening to sue after YouTube computers spotted its music in a video.
It turns out that video was posted by one of the most famous copyright attorneys in the world, and Lawrence Lessig is suing back.
Lessig, a Harvard Law School professor, has lectured around the world about how copyright law needs to adapt to the Internet age. In his lecture, he shows examples of people who have used the Internet to "share their culture and remix other people's creations."