Music

In 2009, musician and historian Elijah Wald published an overview of American pop from the 1890s to the 1960s he called How the Beatles Destroyed Rock 'n' Roll. The title was a bomb-throwing feint — as Wald told me in an interview, he knew that title would get much more attention than a drier one such as "American Pop From Sousa to Soul" — and as if on cue, one reviewer after another lined up to wave away its thesis.

They came, they measured, they built and they plotted. But first, they had to borrow a few things from the NPR office.

Blue Man Group designed new instruments and a small-scale show solely for a one-time performance at the Tiny Desk. Celebrate the group's 25th anniversary with this musical and comical adventure, which you can watch this Monday, Sept. 26, at npr.org/tinydesk.

Violence against women is no modern tragedy. Composer John Adams found that out when he saw an exhibition about the tales of the Arabian Nights — ancient stories in which Scheherazade tells her murderous husband a new tantalizing tale each night for 1001 nights, thus sparing her life a day at a time. The composer, writing in Scheherazade.2's booklet notes, says he was surprised by how many of the stories included women suffering brutality.

If there's one piece by Chopin that can truly be called "trippy," it's the Mazurka in A minor, Op. 17, No. 4 – especially in this spellbinding performance by pianist Pavel Kolesnikov. The young Russian has just released a new album of Chopin's Mazurkas, arranged not chronologically but by mood and texture, flowing like a mixtape.

For the past 25 years I've had this notion that on every successive Leonard Cohen record his voice would get deeper and deeper until one day he'd put out an album so subsonic that you'd just feel it, not hear it. Well, we're close. On this day, Leonard Cohen's 82nd birthday, he's given us a gift: It's dark, it's beautiful and it's deep. "You Want It Darker" is the title track to his soon-to-be-released album, his 14th studio album in his 49-year recording career. The album of nine songs, out Oct. 21, is produced by his son, musician Adam Cohen.

Don Buchla believed in the humanity of wires. The modular synth pioneer created an instrument like none other, one that relied on intuition, learning and, most importantly, human touch. He died September 14 after a long battle with cancer at the age of 79.

"Everything's cyclical" has become a common refrain in the country music industry of late, a way of acknowledging that country radio's domination by R&B-juiced, summery jams this decade is neither the format's first swing toward popular sounds and sensibilities nor a permanent state. What would follow, some predicted, was a race to the opposite extreme: a hardcore country resurgence.

Just this afternoon, it looked like David Bowie was a shoo-in for this year's Mercury Prize. Even though the prestigious U.K. award had never before been given to an artist posthumously, Blackstar was the final and widely adored album from a British rock god. Even bookies were betting on Bowie as a 4/7 favorite.

Copyright 2016 NPR. To see more, visit http://www.npr.org/.

KELLY MCEVERS, HOST:

Here's a sentence we don't usually get to say on NPR. Nelly's 2002 hit "Hot In Here" is back in the news.

(SOUNDBITE OF SONG, "HOT IN HERRE")

NELLY: (Singing) Hot in - so hot in here - in here. So hot in - hot in - hot in...

Talk to nearly any classical music critic about heroes of the trade and one name usually comes up: Virgil Thomson. Anthony Tommasini of the New York Times advises: "Every practicing and aspiring critic today should read Thomson's exhilarating writings."

Pages