Caroline Shaw, who composed the piece Partita for 8 Voices for her vocal group Roomful of Teeth, is the youngest-ever recipient of the Pulitzer Prize for music.
How do you write something like Partita for 8 Voices, the a cappella vocal piece that is this year's winner of the Pulitzer Prize for music?
"Very late at night," says the composer, Caroline Shaw, speaking with NPR's Scott Simon. "Sometimes it comes from having a sound in your head that you really want to hear, that you've never heard before, and struggling to make that sound happen in any way you can."
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Pablo Helguera is a New York-based artist working with sculpture, drawing, photography and performance. His new book isHelguera's Artunes. You can see more of his work atArtworld Salon and on his own site.
Like many California cities hit hard by the real estate crash, Indio (near Palm Springs) has been forced to make steep cutbacks to avoid bankruptcy. But unlike other cities, Indio hosts the highest-grossing music festival in the world — Coachella — which wraps up this weekend. It has made city leaders eager to capitalize on Coachella's riches.
Sam Torres, plumber by day, Indio city councilman by night, says he was prepared to become the most hated man in the city, and he very well may have achieved that goal. His offense? Proposing a 6 percent tax on Coachella tickets.
The Dresden Staatskapelle's principal conductor, Christian Thielemann, asserts that Anton Bruckner's music, in its long-winding search for beauty, is the perfect antidote for modern life. He and the orchestra brought Bruckner's Symphony No. 8 to Carnegie Hall on April 19, 2013.
Credit Melanie Burford for NPR
Conductor Christian Thielemann performed the massive, 80-minute work without a score.
Credit Melanie Burford for NPR
A close-up view of Bruckner's densely knitted music.
Credit Melanie Burford for NPR
Bruckner's majestic score calls for an incredible array of instruments, including three harps, contrabass tuba and four Wagner tubas.
Credit Melanie Burford for NPR
The Dresden Staatskapelle's principal conductor, Christian Thielemann, asserts that Anton Bruckner's music, in its long-winding search for beauty, is the perfect antidote for modern life. He and the orchestra brought Bruckner's Symphony No. 8 to Carnegie Hall on April 19, 2013.
Credit Melanie Burford for NPR
Thielemann and the Dresden musicians acknowledge the audience's enthusiastic applause at evening's end.
Credit Melanie Burford for NPR
The Dresden Staatskapelle, founded in 1548, dedicated this Carnegie Hall concert to the memory of their late conductor laureate, Sir Colin Davis, who passed away on April 14.
Credit Matthias Creutziger
Conductor Christian Thielemann will lead the Dresden Staatskapelle in the majestic Symphony No. 8 by Anton Bruckner at Carnegie Hall.
Originally published on Mon April 29, 2013 1:33 pm
Anton Bruckner divides audiences. For admirers, his sprawling, stately symphonies — with their great pauses and timeless repetitions — represent the summit of the 19th-century Viennese symphonic tradition. For skeptics, the symphonies are exercises in lumpy piety, plagued with bombastic sonorities and numbingly long-winded development sections.