Pianist and singer Barbara Carroll is an old and dear friend of Piano Jazz host Marian McPartland. In fact, Carroll was the second ever guest to appear on Piano Jazz when the show began 30 years ago. Carroll recalls 1979 as a banner year for her, as well — it's the same year she started what became a 25 year run performing at Bemelman's Bar, at the Carlyle Hotel in Manhattan.
How, for better or worse, has your parents' record collection shaped your own taste in music? This is a question that NPR's All Things Considered will be asking this summer, beginning tonight, with a look at how actress and singer Audra McDonald came to discover the song "Edelweiss" as a child.
I am still an idealist when it comes to college. The four years spent in higher education remain a singular opportunity for young Americans to reach beyond themselves and ask questions that will, hopefully, take a lifetime to answer. But alongside my idealism I can see the reality that this nation faces tough questions about higher education. Who can afford it? How is it paid for? There is one thing, however, of which I am certain.
Originally published on Tue September 18, 2012 5:58 pm
The drummer Henry Cole plays brilliantly in the quartet of saxophonist and fellow Puerto Rican Miguel Zenón, a band responsible for my favorite jazz album of 2011 (Alma Adentro) and one of my favorites of 2009 (Esta Plena). This year, Cole released his debut album as a bandleader, an Afrobeat record called Roots Before Branches.
There are two war-related anniversaries this week that make today's album review all the more timely. Yesterday was Memorial Day here in the U.S.; tomorrow, May 30, marks 50 years since the world premiere of English composer Benjamin Britten's War Requiem at Coventry Cathedral. The War Requiem was commissioned for the cathedral's reconsecration after it had been destroyed by a Nazi bombing raid in 1940.
It's a long, detailed look at how the president has "placed himself at the helm of a top secret 'nominations' process to designate terrorists for kill or capture, of which the capture part has become largely theoretical."