Originally published on Thu April 17, 2014 10:07 am
Johann Sebastian Bach wrote his St. Matthew Passion for a single purpose — to present the Passion story in music at Good Friday vesper services.
Bach's Passion continues to move audiences nearly three centuries after it was first heard in St. Thomas's Church in Leipzig, Germany. Standing as one of the pillars of Western sacred music, it is at once monumental and intimate, deeply sorrowful and powerful.
WHQR and UNCW's Office of Cultural Arts Present The Great American Songbook Live: Wilmington's Hit Parade on the big stage at Kenan Auditorium on Saturday, June 14 at 7:30pm. Tickets available at the Kenan Box Office (910-962-3500) or...
Originally published on Fri April 11, 2014 1:57 pm
Ke$ha says that to start the day she'll brush her teeth with a bottle of Jack Daniel's whiskey. Nicki Minaj likes to "have a drink, have a clink" of Bud Light. And the party-rockin' hip-hop duo LMFAO like Ciroc, and they love Patron. "Shots, shots, shots, shots everybody!"
All that name-checking of alcohol brands encourages teens to drink, researchers say. Adolescents who liked songs like these were three times as likely to drink, and were twice as likely to binge than their peers who didn't like those songs.
Seventy-five years ago, on April 9, 1939, as Hitler's troops advanced in Europe and the Depression took its toll in the U.S., one of the most important musical events of the 20th century took place on the National Mall in Washington. There, just two performers, a singer and a pianist, made musical — and social — history.
You're seated at the symphony. All the players but one are in place. You're ready for music. Then the first violinist enters to a round of applause and stands next to the conductor's podium while the oboist plays an A. The orchestra tunes up.
That ceremony is just one of many jobs for the concertmaster, Jonathan Carney says. He is the concertmaster of the Baltimore Symphony Orchestra.
Stage director Kenny Leon is one of the most sought-after creative talents on Broadway today, even if he isn't a household name. He's guided Denzel Washington and Viola Davis to Tony Awards in a Tony-winning revival of August Wilson's Fences, he directed Samuel L. Jackson and Angela Bassett in The Mountaintop and he's got two Broadway shows opening within three months of each other.
Wayne Henderson, trombonist and co-founding member of the popular jazz-funk band The Jazz Crusaders (later known as The Crusaders), died Friday, April 4, in Culver City, Calif. The cause of death was heart failure, according to The Crusaders' manager. Henderson was 74.
Over the weekend, soprano Kristine Opolais sang her heart out — and died twice.
Friday evening she had sung the lead in Puccini's Madama Butterfly. It was her debut in that role at the Metropolitan Opera in New York. It was a big deal. Opolais was so excited about it that she stayed up until five the next morning.
New Obama administration rules aimed at protecting African elephants are causing widespread anxiety in the music world. From country to classical, working musicians say the policy will make them think twice about touring abroad.
The proposed regulations would place a near-total ban on anything made with ivory moving in and out of the U.S.