Since 1973, the four-man vocal chamber group The Hilliard Ensemble has been breathing new life into the sounds of the Renaissance. Now that they've reached their 40-year anniversary, the members have decided to call it a day. Fresh off the new album Il Cor Tristo, the Hilliards will spend 2014 celebrating their long tenure with one last world tour. Then, a year from now, it's all over.
Holiday music: Bing, "Silver Bells," Nat, evening carolers, and, of course, tubas. Well, maybe not. But hundreds of thousands of tubas oom-pah-pah their way through the holiday standards in annual concerts every year, all around the world. It's called Tuba Christmas and this is its 40th year. NPR's Gabrielle Emanuel swung by the Washington, D.C. event this week.
617,000. That's how many copies of her self-titled album Beyonce sold in three days last week, after she dropped it without warning. As fans and critics have dug in, debates about the messages and images within it are roiling. Is Beyonce, the sexy pop goddess who has performed at two inaugurations, also this generation's highest-profile feminist? I spoke to six people who identify as feminists — all of whom feel differently about Beyonce — to find out how a pop album no one was ready for is capping off a year of think pieces and Twitter skirmishes.
Originally published on Wed December 18, 2013 7:00 pm
It says a lot about his enduring hold on jazz listeners that over a half century into his career, the descriptive phrases most commonly put in front of Wayne Shorter's name — along with "the great saxophonist and composer" — remain "the elusive" and "the enigmatic." The inside tray card to Shorter's Without a Net, the runaway Best Album winner in this year's NPR Music Jazz Critics P
Some Steinway company representatives and employees — like Wally Boot, pictured here — have been working for the company for decades. Boot is the last person to touch every piano that leaves the factory in Queens, N.Y.
For 160 years, the pianos made by Steinway & Sons have been considered the finest in the world. So when hedge fund billionaire John Paulson recently bought the company, it struck fear in the hearts of musicians: Would the famously handcrafted pianos be changed, for the sake of efficiency? Paulson, who owns several Steinways himself, says nothing will change.