Gabe Baltazar (fourth from left) at New York City's Birdland Club in 1962, with members of Stan Kenton's band and the Count Basie Orchestra. The photo, from Baltazar's collection, is signed by Kenton (fourth from from right) and trumpeter Harry "Sweets" Edison (second from right).
Credit Courtesy of Gabe Baltazar
The Paul Togawa Quartet at the El Sereno Club in Los Angeles in the late 1950s. Left to right: Gabe Baltazar, Paul Togawa, Dick Johnston, Buddy Woodson.
Saxophonist Gabe Baltazar got his big break after Stan Kenton heard him playing in a college band and invited him to join his Orchestra in 1960.
"One of my biggest highlights in Stan's band was being featured on a beautiful standard tune called 'Stairway to the Stars,'" the 83-year-old Baltazar says. "He liked that tune, and he thought it would be my signature song. And throughout my career, four years with the band, I was featured on that and it was just great."
An Australian record label may have picked a fight with the wrong guy. The label sent a standard takedown notice threatening to sue after YouTube computers spotted its music in a video.
It turns out that video was posted by one of the most famous copyright attorneys in the world, and Lawrence Lessig is suing back.
Lessig, a Harvard Law School professor, has lectured around the world about how copyright law needs to adapt to the Internet age. In his lecture, he shows examples of people who have used the Internet to "share their culture and remix other people's creations."
Originally published on Wed September 25, 2013 2:52 pm
Loud music can lead to hearing loss. But it's not just rock musicians and their fans who are at risk.
In classical orchestras, horn players are particularly vulnerable to hearing damage from the tunes they and their colleagues play.
Some studies have found that horn players are blasted with some of the loudest sounds in the orchestra. The levels are so high that many countries' occupational health regulations would limit exposure like that to a half-hour a day, some studies have found.
How do you make a piano sing? Italian-born pianist Antonio Pompa-Baldi tackles the question on his new album, The Rascal and the Sparrow, a tribute to Francis Poulenc and Edith Piaf, two titans of French song who each died 50 years ago. Pompa-Baldi shared his thoughts on the project in this email chat with NPR Music's Tom Huizenga.
It's the middle of the afternoon when we arrive at the tiny family apartment in a working-class neighborhood of Tunis. Um Ahmed cracks open the door when we arrive, ushers us in and quickly slams the door shut. She then closes a second steel gate, which she had installed after her son, Ahmed, was arrested.
The Whisky a Go Go club on the storied Sunset Strip, once the hub L.A.'s music scene, acknowledged the May 2013 death of The Doors' keyboardist on its marquee: "Rest In Peace Ray Manzarek, Thanks for the Memories."
In a city with 6,500 miles of blacktop, one stretch of road might be the most legendary in Los Angeles: the Sunset Strip. It's where the vibrant L.A. music got its vibe; imagine The Doors blaring through the gates of one club and The Byrds softly strumming just a few doors down. From one decade to the next, from folk to metal to hip-hop, iconic music was born there.