How do you know you are in East Nashville? Follow the beards, a current joker might say. If you do, you'll find yourself in an area tucked in between Nashville's neat downtown and the city's eastern edge, separated from each by the twisting Cumberland River. To the west, tourists flock to the Country Music Hall of Fame and Ryman Auditorium β the "Mother Church of Country Music." The Opryland complex β the venerable stage and radio show's comfortably suburban home since 1974 β is to the east, where the city sprawls into malls, hotels and tourists attractions.
One hundred years ago today, the Austro-Hungarian Empire declared war on Serbia. The conflict drew in country after country and grew to an unprecedented scale. An estimated 9 million combatants lost their lives and more than 21 million were wounded in what came to be known as The Great War and, eventually, World War I.
When an opera company is in the midst of contentious labor negotiations, the results can be dramatic. This week, the war of words between unions and management at New York's Metropolitan Opera, the world's largest opera company, escalated. An Aug. 1 shut down now seems likely.
At the center of the debate is the ballooning Met budget, which stood at $200 million in 2006 but has since climbed to more than $325 million. Met General Manager Peter Gelb asserts that union salaries and benefits are his biggest costs, accounting for two-thirds of the operating budget.
The clock is ticking for the Metropolitan Opera in New York. The world's largest opera company may be headed for a shutdown. Most of the union contracts for the Met expire in a week. Yesterday, Met General Manager Peter Gelb sent a letter to the unions, warning them to prepare for a lockout if they don't come to terms.
For months now, the company and its unions have been at an impasse. Management has proposed cutting 16 percent of union members' compensation. Otherwise, Gelb contends, the company could go bankrupt in two to three years.
Originally published on Mon July 28, 2014 11:14 am
It's starting to seem like even the bros are tired of bro country. The truck-loving Florida Georgia Line has switched up its game with the chart- dominant "Dirt," a sensitive ballad about marriage and farming.
Jorge Drexler's songs have been called introspective and literate. He's been compared to Paul Simon. But a couple years ago, the Uruguayan musician began to wonder what it would take to write dance-oriented music. That's the assignment he gave himself on his latest album, Bailar en la Cueva, or "dancing in the cave."