Copyright 2015 NPR. To see more, visit

Copyright 2015 NPR. To see more, visit

Why do Beethoven's symphonies remain so appealing? It's a question we put to Simon Rattle a few years ago after he had finished conducting the Vienna Philharmonic in all nine of them.

"There's nothing harder," Rattle said, "and at the end of it all, nothing more rewarding. This is one of the great monuments of Western art." Those performances were recorded for a set released in 2003.

On a long drive, Itzhak Perlman will sometimes listen to classical music on the radio and try to guess who's playing.

"There is always a question mark," he says. "If it's good, boy, I hope it's me. If it's bad, I hope it's not me."

The journey a film score takes, from the composer's brain to what comes out of the speakers at your local theater, is a long and complicated process. In the case of the new Pixar film The Good Dinosaur, the work began seven months ago. Audiences will hear it for the first time on Thanksgiving Day.

Copyright 2015 NPR. To see more, visit



At the end of this dramatic week, let's just take a moment to listen to T-Pain.

T-PAIN: The bad times make the good times seem so much better.

Last year, the book Rednecks, Queers & Country Music — a significant, if overlooked work by scholar Nadine Hubbs — drove home just how powerful and pervasive outsider assumptions about the backwardness of rural identities and downhome music can be.