Tom Huizenga

Tom Huizenga is a music producer, reporter and blogger for NPR Music.

He is a regular contributor of stories about classical music to NPR's news programs and co-hosts NPR's classical music blog Deceptive Cadence.

Joining NPR in 1999, Huizenga spent seven years as a producer, writer and editor for NPR's Peabody Award-winning daily classical music show Performance Today and for programs SymphonyCast and World of Opera.

He's produced live concerts, including a radio broadcast of Gershwin's Porgy & Bess from Washington National Opera at the Kennedy Center and NPR's first classical music webcast from the Manhattan club (Le) Poisson Rouge, featuring the acclaimed Emerson String Quartet. He's also asked musicians to play in unlikely venues, such as cellist Alisa Weilerstein playing Bach at the Baltimore Aquarium. He's written and produced radio specials, like A Choral Christmas With Stile Antico, broadcast on stations around the country.

Huizenga's radio career began at the University of Michigan, where he hosted opera, jazz, free-form, and experimental radio programs at Ann Arbor's WCBN. As a student in the Ethnomusicology department, Huizenga studied and performed traditional court music from Indonesia. He also studied English Literature and voice, while writing for the university's newspaper.

Huizenga took his love of music and broadcasting to New Mexico, where he served as music director for NPR member station KRWG, in Las Cruces, and taught radio production at New Mexico State University.

Huizenga lives in Takoma Park, Md. and in his spare time writes about music for the Washington Post and overloads on concerts and movies.

Ethel Smyth was not your typical Victorian lady. She defied her father, a stern army general, to pursue a career in music. She loved women, played sports and played an important role in the women's suffrage movement in Britain in the early 20th century. Along the way she composed chamber and orchestral music, an acclaimed Mass and six operas.

Iceland might be small and isolated but the country's music scene is substantial, resonating far beyond the island nation. One Icelandic group that thrives on both new and old classical music is Nordic Affect. Formed in 2005, the quartet of women is equally at home playing 17th century dance music and newly commissioned works like Clockworking, the title track from its forthcoming album.

Artistic revolutions are rarely born easy. They complained about cubism, they grumbled about the "talkies" — and boy, did they bellyache over Wagner's trailblazing operas, especially Tristan und Isolde, which debuted 150 years ago Wednesday.

"Quirky" is a descriptor that seems to have stuck to Danish composer Carl Nielsen, born 150 years ago on June 9, 1865.

We rarely invite Tiny Desk alumni back to the confines of Bob Boilen's work space, but we couldn't resist this time. Harpist Yolanda Kondonassis and Grammy-winning guitarist Jason Vieaux have both given solo Tiny Desk performances. Since then they've paired up for concerts and a new album of works composed especially for their combination of instruments.

May is international drum month! To celebrate, we bring you a discussion in percussion with a group of guys who will bang on almost anything (including a cactus). The members of Sō Percussion are the guest quizmasters for this week's Drum Fill Friday.

In his new memoir, Words Without Music, Philip Glass tells the story of how he slugged a man in the jaw in Amsterdam. At a concert, a quarrelsome audience member climbed onto the stage and began banging on the composer's keyboard. That was in 1969, when Glass' repetitious, slowly evolving music fell on many ears like a needle stuck in the groove of a record.

For more than half of his 32 years, Lang Lang has been in the spotlight, as an international star and arguably the most crowd-pleasing classical pianist on the planet. From venues as diverse as the Beijing Olympics and Brazil's World Cup to New York's Central Park and Stockholm's Nobel Prizes, Lang Lang routinely crisscrosses the globe playing to innumerable masses. Last month he filled London's cavernous Royal Albert Hall two nights in a row.