Jewly Hight

Mary Bragg and Becky Warren are nursing beers and comparing notes on their conscientiousness.

For decades now, country's aesthetic and ideological sensibilities have been shaped as much by the music's modern, middle-class suburban appeal as its rural working-class roots, which can make for quite the rhetorical push-and-pull (likely one of many factors that contributed to the Dixie Chicks' famed expulsion from the format over voicing distaste for the second President Bush during a U.K. concert). Working-class political speech hasn't always been recognized as political at all; it's just as likely to be dismissed as class resentment.

One day in late February, the five members of Front Country were warming up for their record release show at the renowned bluegrass club the Station Inn, in their new home base of Nashville, Tenn. They'd never played most of these songs live before.

In honor of the 50th anniversary of the CMA Awards, show producers worked a truly impressive number of performers into the Nov. 2 telecast, utilizing everything from moving medleys to photo montages and mentions of legends seated in the audience.