Jeff Lunden

This morning the New York City Opera announced that it was declaring bankruptcy and ceasing operations. Dubbed "The People's Opera" by Mayor Fiorello LaGuardia when it was founded 70 years ago, the company was meant as an alternative to the richer Metropolitan Opera. It's the place where exciting young singers like Beverly Sills and Placido Domingo made their New York debuts and where innovative productions of new operas premiered.

Pop-culture aficionadoes will know Zachary Quinto as Spock in the cinematic reboot of Star Trek, and Cherry Jones as President Taylor from television's 24.

But both are accomplished stage actors as well. And tonight, they're opening on Broadway, in a revival of Tennessee Williams' classic play The Glass Menagerie.

There are a lot of operas that end with heroines on their deathbeds, singing one glorious aria before they die. That's what happens at the end of Anna Nicole, the controversial new work that New York City Opera is presenting at the Brooklyn Academy of Music in September. But the company's artistic director and general manager, George Steel, says it could also be City Opera's last gasp.

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MELISSA BLOCK, HOST:

Finally, this hour, a cause that brought Broadway to Capitol Hill today, unusual coalition of Broadway theaters, along with representatives from pro sports and churches went to the Hill to advocate for wireless microphones. The group is concerned about a plan by the Federal Communications Commission to auction off portions of bandwidth. Supporters of the auction say it will create improved service for smartphones and other wireless devices and raise billions of dollars for the federal government.

A few years ago, after songwriter Michael Friedman and writer-director Alex Timbers had finished working on their cheeky historical musical Bloody Bloody Andrew Jackson, they decided to look for a new project to work on. Friedman says they wanted the next show to have a completely different feel.

"So we started looking at Shakespeare," Friedman says. "And then, I think, we came to sort of, 'How amazing would it be to work on a romantic comedy?' "

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ROBERT SIEGEL, HOST:

And finally this hour to the theater. By and large, plays and musicals are passive experiences: you sit and watch others perform. Jeff Lunden has this story about three off-Broadway shows that encourage the audience to move.

Matilda is a well-loved book by Roald Dahl, who's been called the greatest children's storyteller of the 20th century. It's about a much-put-upon little girl with tremendous gifts. Now, Matilda has been turned into a Broadway musical.

The British import, which won last year's prestigious Olivier Award and features a revolving cast of four little girls in the lead role, opens in New York tonight.

Several years ago, when Nora Ephron handed Tom Hanks an early draft of Lucky Guy, her play about tabloid journalist Mike McAlary, he had a pretty strong reaction.

"I said, 'Well, that guy's sure a jerk!' I used another word besides jerk — I know what you can say on NPR," he says. "And she laughed and she said, 'Well, he kinda was. But he was kinda great, too.'"

Minnesota-born composer Maria Schneider has called New York home for more than 30 years, and she knows how to find nature in the middle of the city. Because her new album is called Winter Morning Walks, we walked to her favorite bird-watching spot in Central Park on a chilly February morning.

Twenty years ago, theatrical clowns Bill Irwin and David Shiner collaborated on a Broadway show called Fool Moon — a giddy mixture of slapstick, improv and audience participation that proved such a success that it came back to Broadway for two more runs and toured both the U.S. and Europe. Now Irwin and Shiner have put together a new show called Old Hats, and it's been receiving rave reviews off-Broadway.

Irwin and Shiner's rubber-faced, loose-bodied clowning hasn't gotten easier over two decades.

Friday marks the day that 100 years ago, Grand Central Terminal opened its doors for business for the very first time. The largest railroad terminal in the world, the magnificent Beaux-Arts building is in the heart of New York City on 42nd St. And while it no longer serves long-distance trains, it's still a vibrant part of the city's eco-system.

The longest-running Broadway musical ever, Andrew Lloyd Webber's The Phantom of the Opera, celebrated Saturday another milestone: its 25th anniversary.

When it all started Jan. 26, 1988, Ronald Reagan was president of the United States, a gallon of gas cost about 90 cents and a ticket to The Phantom of the Opera was a whopping $50. It was the hottest ticket in town.

Times have changed, prices have changed, but that disfigured, tortured genius who haunts the Paris Opera House, creating havoc and causing the chandelier to fall, has endured.

You've never heard of Jimmy Van Heusen? Well, the American Society of Composers, Authors and Publishers has. You certainly know many of his songs, says Brook Babcock, Van Heusen's grandnephew and president of his publishing company.

The cliche about writers is they should write what they know, and that old saw has certainly worked for Quiara Alegria Hudes. The 35-year-old playwright has mined her Puerto Rican family's stories into a series of plays, a musical and even a children's book. Now, her Pulitzer Prize-winning drama, Water by the Spoonful, is being brought to life in the first New York production of the play, opening off-Broadway on Tuesday evening.

As of this year, the vocal group Anonymous 4 has been introducing modern audiences to medieval music for a quarter century. When the all-female quartet asked David Lang to help mark the occasion by writing them some music, he didn't need any convincing. The Pulitzer Prize-winning composer was already a big fan.

The Peony Pavilion is one of China's most famous operas, but uncut performances of this romantic 16th century work can take more than 22 hours. Chinese composer Tan Dun, who's best known for his Academy Award-winning score for the film Crouching Tiger, Hidden Dragon, has adapted the work into a compact 75 minutes.

For more than 50 years, John Williams' music has taken us to galaxies far, far away through adventures here on earth, made us feel giddy joy and occasionally scared us to death.

A much-anticipated revival of The Heiress, a 1947 play based on the Henry James novella Washington Square, opens in New York on Thursday. It marks the Broadway debut of two accomplished young stars — Jessica Chastain, the Academy Award nominee from The Help, and Dan Stevens, from the hit television series Downton Abbey.

Everywhere you look right now, it seems like American symphony orchestras are fighting for their lives — strikes, lockouts, bankruptcy. Perhaps the biggest example is the world-renowned Philadelphia Orchestra, which is just coming out of its own bankruptcy. Tonight, its new 37-year-old music director takes the podium as the venerable orchestra begins a reboot.

It's been a tumultuous time for American orchestras. Labor disputes have shut down the Minnesota Orchestra and Indianapolis Symphony, and strikes and lockouts have affected orchestras in Chicago, Atlanta and Louisville in the past year.

It all began last year, when the Library of Congress presented Samuel Beckett's Ohio Impromptu alongside a piece of music by composer Dina Koston, which responded to the text. A New York group, the Cygnus Ensemble, played the music, while Washington, D.C., director Joy Zinoman staged the play, for one night only.

Viola da gamba players are a special breed — a tiny subset in the already small world of early classical music. They rarely meet their own kind, but once a year they come together for a week in July at an annual jam session they call a conclave. Wendy Gillespie, who just finished her term as president of the Viola da Gamba Society of America, says attending the event is the highlight of her year.

Academy Award-winning actress Celeste Holm has died. A star on both stage and screen, Holm was best known for roles in Gentleman's Agreement, All About Eve and Oklahoma! She was 95.

Holm died early Sunday morning in her Manhattan apartment with her husband, family and close friends by her side. She had been hospitalized a couple weeks ago following a fire in actor Robert De Niro's apartment in the same building.

If there was one role that put Holm on the map, it was as the coquettish Ado Annie, in the 1943 hit musical, Oklahoma!

It now seems like a natural rite of summer — open-air classical music festivals where audiences can hear great music while picnicking under the stars. But 75 years ago, when the Boston Symphony first performed on a former estate called Tanglewood in the Berkshire Mountains of Western Massachusetts, it was a novel idea.

The lights come up on a large hospital ward, its green institutional tiles slightly mildewed around the edges. An ominous white noise hums underneath.

The odds of making it in the classical music business are long, but for the past two years, 25-year-old viola player Nathan Schram has received a stipend, health insurance, lots of amazing performance opportunities and a real-world education teaching violin students at an inner-city elementary school in Brooklyn. Now, Schram and his colleagues have to say goodbye to The Academy.

On Monday evening, one of New York's most cherished cultural institutions celebrated an anniversary. The Delacorte Theater, home of the free annual Shakespeare in the Park, turned 50, and Meryl Streep and Kevin Kline led an all-star cast in a staged reading of Romeo and Juliet.

When Kline was still a student in the drama program at The Juilliard School, he made his professional debut at the Delacorte. "My first job was carrying a spear in Richard III," he remembers.

Broadway caps off its 2011-2012 season June 10 at the 66th annual Tony Awards, and while the focus will mostly be on the nominated shows and actors, some attention must be paid to the set designers — the people who help create the environments that let those shows and actors shine.

Take Daniel Ostling: When he read Bruce Norris' script for Clybourne Park, a play that takes place in a very realistic Chicago bungalow, the veteran scenarist quickly came to a realization: "The house is actually a character."

Let's get this out of the way: The most anticipated show of the past two Broadway seasons — Spider-Man: Turn Off the Dark -- finally opened, after multiple delays, cast injuries, the firing of its writer-director Julie Taymor and the longest preview period in Broadway history, on June 14th, 2011, a few days after last year's Tony Awards.

What would it be like if you were 10 years old and composed a piece of music that was played by the New York Philharmonic? For a few New York City school kids, including one fifth-grader, it's a dream come true, thanks to the orchestra's Very Young Composers program.

Composer Jon Deak, who played bass with the New York Philharmonic for more than 40 years, says the idea for Very Young Composers came when he and conductor Marin Alsop visited an elementary school in Brooklyn several years ago.

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