Elizabeth Blair

Elizabeth Blair is a Senior Producer/Reporter on the Arts Desk of NPR News.

On a daily basis, she produces, edits and reports arts and cultural segments that air on NPR News magazines including Morning Edition and All Things Considered. Her recent stories explored the rise of public humiliation in popular culture, consumers' changing media habits and the intersection of the arts and education.

In this position that she has held since 2003, Blair's varied work has included profiles of actor Neil Patrick Harris, rapper K'Naan, and the band Pearl Jam. She has written and produced long-form documentaries on such cultural icons as Paul Robeson and Billie Holiday. Blair oversaw the production of some of NPR's most popular special projects including "50 Great Voices," the NPR series on awe-inspiring voices from around the world and across time in, and the "In Character" series which explored famous American fictional characters.

Over the years, Blair has received several honors for her work including two Peabody Awards and a Gracie.

For three and a half years, Blair lived in Paris, France, where she co-produced Le Jazz Club From Paris with Dee Dee Bridgewater, and the monthly magazine Postcard From Paris.

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Pop Culture
5:40 pm
Thu January 8, 2015

And The Moral Of The Story Is ... Kids Don't Always Understand The Moral

In the "Winter's Gift" episode of Sofia the First, Disney Princess Tiana (left) from The Princess and the Frog makes a special appearance to help Princess Sofia learn that a true gift comes from the heart.
Disney Junior

Originally published on Thu February 19, 2015 8:28 pm

"Slow and steady wins the race."

"What's right for one may be wrong for another."

"Treat others the way you'd like to be treated."

Morals have long been the conclusion of fables and fairy tales aimed at kids. And today's TV shows and movies are no different — they often weave lessons for the younger generation into their narratives. But do children actually absorb these messages, or do these endings just help parents feel better about the media their kids consume?

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Analysis
3:45 am
Thu January 8, 2015

'Charlie Hebdo' Laughed In The Face Of Violence; Will Future Satirists?

Joel Saget AFP/Getty Images

Originally published on Thu January 8, 2015 6:36 pm

Despite a 2011 firebombing at the Charlie Hebdo offices, and continuing threats and heightened security around the building, according to its editor-in-chief, the staff of the weekly never slowed down.

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Games & Humor
3:23 am
Wed December 31, 2014

Banish 2014's Woes With Our Stand-Up Comedy Picks

NBC Ben Cohen/NBC

Originally published on Wed December 31, 2014 11:49 am

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Color Decoded: Stories That Span The Spectrum
3:02 am
Mon November 10, 2014

Whether Green With Envy Or Tickled Pink, We Live In A Color-Coded World

An employee at a frozen foods company in eastern Germany checks carrots for quality.
Michael Urban AFP/Getty Images

Originally published on Mon November 10, 2014 11:00 am

Red means stop; green means go. You live in a red or a blue state. You feel green with envy, or you're tickled pink. Colors alert, provoke, attract, divide and unite us.

Thinkers from Plato to Einstein to a new cottage industry of color psychologists have studied the importance of color in our daily lives. But, as Joann and Arielle Eckstut write in their book The Secret Language of Color: "Anyone who claims to be an expert on color is a liar."

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Around the Nation
4:32 pm
Fri November 7, 2014

'Grand Bargain' Will Help Save Detroit — And Its Art

Originally published on Fri November 7, 2014 8:11 pm

Copyright 2014 NPR. To see more, visit http://www.npr.org/.

Transcript

MELISSA BLOCK, HOST:

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Fine Art
4:36 pm
Thu September 4, 2014

The Fine Art Of Pricing Detroit's Collection

Originally published on Thu September 4, 2014 6:51 pm

Copyright 2014 NPR. To see more, visit http://www.npr.org/.

Transcript

AUDIE CORNISH, HOST:

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Fine Art
5:00 pm
Mon August 11, 2014

As Museums Try To Make Ends Meet, 'Deaccession' Is The Art World's Dirty Word

Deaccessioning — the permanent removal of an object from a museum's collection — has been a big issue in Detroit. When the city declared bankruptcy, it had to put all of its assets on the table. Turns out, the most valuable asset was the art collection at the Detroit Institute of Arts.
Bill Pugliano Getty Images

Originally published on Wed August 13, 2014 5:57 pm

Sometimes museums get in trouble. Deep trouble. Not because they damage art, or let it get stolen ... but because they sell it. The Delaware Art Museum is the latest target of the art world's ire — for selling one painting from its collection to try and tackle a debt, and for revelations in the past few days that two more paintings are up for sale.

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Television
3:39 am
Tue August 5, 2014

From 'Good Times' To 'Honey Boo Boo': Who Is Poor On TV?

The Evans family from Good Times. Bern Nadette Stanis is second from left.
The Kobal Collection

Originally published on Tue August 5, 2014 10:47 am

Like it or not, television has the power to shape our perceptions of the world. So what do sitcoms, dramas and reality TV say about poor people?

In life and on TV, "poor" is relative. Take breakfast: For Honey Boo Boo's family, it's microwaved sausage and pancake sandwiches; for children in The Wire's Baltimore ghetto, it's a juice box and a bag of chips before school; and on Good Times, set in the Chicago projects back in the 1970s, it was a healthier choice: oatmeal.

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Book Your Trip
4:13 pm
Tue July 8, 2014

In 'Little Engine That Could,' Some See An Early Feminist Hero

Was "I think I can" the great-grandmother of "lean in?" Some readers see the plucky locomotive as a parable about working women, but some versions of the story feature a male protagonist instead.
Platt & Munk, Penguin Young Readers Group

Originally published on Tue July 8, 2014 8:23 pm

"Chug, chug, chug. Puff, puff, puff. Ding-dong, ding-dong."

The beloved tale of the little blue engine — who helps bring a broken-down train of toys to the good little boys and girls on the other side of the mountain — has been chugging along for a very long time. But despite the locomotive's optimistic refrain — I think I can, I think I can, I think I can — the story has a somewhat checkered past: In its tracks, The Little Engine has left both a legal battle and a debate over whether the little blue engine is male or female.

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Music News
2:03 am
Tue June 24, 2014

Think Before You Clap: You Could Be Beat Deaf

They mean well.
iStockPhoto

Originally published on Tue June 24, 2014 11:31 am

People who can't clap on the beat drive comedian Aaron Michael King crazy, especially one group in particular. He devoted a whole YouTube sketch to ... some white people he knows.

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