Bob Boilen

In 1988, a determined Bob Boilen started showing up on NPR's doorstep every day, looking for a way to contribute his skills in music and broadcasting to the network. His persistence paid off, and within a few weeks he was hired, on a temporary basis, to work for All Things Considered. Less than a year later, Boilen was directing the show and continued to do so for the next 18 years.

Significant listener interest in the music being played on All Things Considered, along with his and NPR's vast music collections, gave Boilen the idea to start All Songs Considered. "It was obvious to me that listeners of NPR were also lovers of music, but what also became obvious by 1999 was that the web was going to be the place to discover new music and that we wanted to be the premiere site for music discovery." The show launched in 2000, with Boilen as its host.

Before coming to NPR, Boilen found many ways to share his passion for music. From 1982 to 1986 he worked for Baltimore's Impossible Theater, where he held many posts, including composer, technician, and recording engineer. Boilen became part of music history in 1983 with the Impossible Theater production Whiz Bang, a History of Sound. In it, Boilen became one of the first composers to use audio sampling — in this case, sounds from nature and the industrial revolution. He was interviewed about Whiz Bang by Susan Stamberg on All Things Considered.

In 1985, the Washington City Paper voted Boilen 'Performance Artist of the Year.' An electronic musician, he received a grant from the Washington D.C. Commission on the Arts and Humanities to work on electronic music and performance.

After Impossible Theater, Boilen worked as a producer for a television station in Washington, D.C. He produced several projects, including a music video show. In 1997, he started producing an online show called Science Live for the Discovery Channel. He also put out two albums with his psychedelic band, Tiny Desk Unit, during the late 1970s and early 1980s. Boilen still composes and performs music and posts it for free on his website BobBoilen.info. He performs contradance music and has a podcast of contradance music that he produces with his son Julian.

Boilen's first book, Your Song Changed My Life, was published in April 2016 by HarperCollins.

Last week, All Songs Considered host Bob Boilen and I took note of an article from The Guardian examining something within music that's uniquely byzantine: the practice of giving guest artists credits in song titles. You've no doubt seen some variation of it — "Song Title (feat. An Artist)." It's something that should be fairly straightforward, no? Well, no.

NOTE: Each day this week we'll be rolling out a series of videos from Sylvan Esso that comprise the duo's upcoming visual EP, Echo Mountain Sessions.

With a meandering, six-minute-plus sci-fi-sounding opening track, it was clear that Japanese Breakfast's Michelle Zauner was out to make music that was beyond the three-minute-pop found on her solo debut, Pyschopomp. The more I dug into Soft Sounds From Another Planet, Zauner's follow-up album, the more I wanted to know.

Sgt. Pepper's Lonely Hearts Club Band turns 50 next week — so what's been done to celebrate one of the greatest records ever? They've remixed the entire album! The word "remix," in fact, may not capture the scope of the project — it's more like someone rebuilt a pyramid with fresh bricks. But a question remains: Why would anyone do so? I traveled to New York to meet Giles Martin, who spearheaded the project, to find that out.

On February 28, 1967, The Beatles were in Abbey Road Studios in London working on a new song, "Lucy in the Sky with Diamonds." Today we're premiering "take one," the first attempt The Beatles made at recording it.

I want to introduce you to Chad Clark, a Washington D.C. artist with the band Beauty Pill, which begins a tour today with a musical hero of Clark's and of mine, Arto Lindsay.

Breaking news this morning: Dan Auerbach has been abducted by aliens to compete in intergalactic demolition derbies.

Merchandise is, colloquially anyways, the engine that drives the boat, the rocket fuel that propels careers toward the stars!

Actually, according to Martin Atkins, author of Welcome To The Music Business, You're F****d!, merchandise is more like "the small hand-cranked trolley that inches up the funicular railway, inch by rusted, mangled inch, up the hill." Merchandise, particularly t-shirts, are the subject of this fun-filled Martin Atkins Minute (actually six fun-filled minutes).

We watched more than 6,000 videos. Ten judges weighed in. Now, the 2017 Tiny Desk Contest has a winner.

Bob Dylan is about to release a triple album of classic songs. These are not his classics — Triplicate continues Bob Dylan's passion for making new recordings of the Great American Songbook.

I've heard the same story from both our previous Tiny Desk Contest winners: They weren't going to enter the Contest until someone encouraged them to do it. Well, the entry period closes at 11:59 p.m. ET this Sunday, Jan. 29.

He released Iceland's largest selling debut album ever in 2012, and now Ásgeir Trausti Einarsson, best known simply as Ásgeir, is back. Today we're debuting "Unbound," the new song from Afterglow, the 24-year-old singer's follow-up to In The Silence.

Wire made three of my favorite albums of the late 1970s: Pink Flag (1977), Chairs Missing (1978) and 154 (1979). Now, 40 years later, this brash, sonically adventurous British band is back with "Short Elevated Period," a song from a brand new album called Silver/Lead, coming March 31, and they didn't let me down.

For more than 50 years, the recently knighted Sir Raymond Douglas Davies, CBE, has been fascinated with American music and American culture. In the early 1960s, he and his brother Dave formed The Kinks to play Little Richard songs and original tunes steeped in rock 'n' roll.

The 2017 Tiny Desk Contest is now open! Starting today, I'll be watching your videos in search of the next great undiscovered artist to play at the Tiny Desk. And I won't be doing it alone. Our team of judges includes these fantastic musicians:

The three women in The Wild Reeds love a good crescendo. They have three powerful upfront voices in Sharon Silva, Kinsey Lee and Mackenzie Howe and they all write songs to honor and embrace their soaring voices. Since their Tiny Desk Concert a little more than a year ago, over a half of a million people have seen it on our YouTube Channel.

The first song the artist Cat Stevens released back in 1966 was titled, "I Love My Dog." He'd be the first to admit that it's a strange title, and subject, for someone nicknamed Cat. Now, 50 years later Yusuf / Cat Stevens has done a unique remake of this song; a direct-to-acetate recording at Jack White's renowned Third Man Records Blue Room. The single will also include Cat Stevens second U.K.

The xx is back with new music, and it feels like this wonderfully languid band may have just received a shot of adrenaline.

Today, Chuck Berry turns 90.

And today, the man who helped define rock 'n' roll celebrates by announcing his first album in 38 years.

The album is simply called CHUCK, and it features a hometown backing band that includes his children Charles Berry Jr. on guitar and Ingrid Berry on harmonica, along with his bassist for nearly 40 years, Jimmy Marsala. The album was recorded in Berry's hometown of St. Louis and will be out in 2017.

They came, they measured, they built and they plotted. But first, they had to borrow a few things from the NPR office.

Blue Man Group designed new instruments and a small-scale show solely for a one-time performance at the Tiny Desk. Celebrate the group's 25th anniversary with this musical and comical adventure, which you can watch this Monday, Sept. 26, at npr.org/tinydesk.

For the past 25 years I've had this notion that on every successive Leonard Cohen record his voice would get deeper and deeper until one day he'd put out an album so subsonic that you'd just feel it, not hear it. Well, we're close. On this day, Leonard Cohen's 82nd birthday, he's given us a gift: It's dark, it's beautiful and it's deep. "You Want It Darker" is the title track to his soon-to-be-released album, his 14th studio album in his 49-year recording career. The album of nine songs, out Oct. 21, is produced by his son, musician Adam Cohen.

I'd already been thinking a lot about George Martin. I've spent the last year writing a book about the songs that changed the lives of musicians, and in the introductory chapter I offer my own selection. "A Day in the Life," by The Beatles, changed the way I think about music. It's a song George Martin, who died on Tuesday at the age of 90, had a clear hand in.

The Ballroom Thieves is a folk trio with a cellist at its core. Singer Calin Peters and her bandmates, guitarist Martin Earley and percussionist Devin Mauch, have now teamed up with the Maine Youth Rock Orchestra on a music video for its song "Bury Me Smiling," and the combination makes for a compelling song.

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