Anastasia Tsioulcas

Anastasia Tsioulcas is a reporter and producer for NPR Music. She reports on a wide range of musical genres and music-industry topics for NPR's flagship news programs as well as for NPR Music.

Tsioulcas is intensely interested in the arts at the intersection of culture, politics, economics and identity. She has profiled musicians and dancers in contemporary Cuba, a punk drummer from Washington, DC who raced to preserve the artistic traditions of pre-civil war Syria, a band of Muslim and Jewish musicians from Algeria reunited after 50 years, and an interfaith group from Texas rooted in a 700-year-old singing tradition from south Asia. She has also brought listeners into the creative process of musicians like composers Steve Reich and Terry Riley.

As a video producer, she has created some of NPR Music's high-profile music documentaries and performances, including bringing cellist Yo-Yo Ma to a Brooklyn theatrical props warehouse and pianist Yuja Wang to an icy-cold Steinway & Sons piano factory in Queens. Tsioulcas also produces some of the episodes in NPR Music's much-lauded Tiny Desk Concert series, and has hosted live concerts from venues like the Metropolitan Museum of Art and New York's (Le) Poisson Rouge. She has also commissioned and produced several world premieres on behalf of NPR Music, including a live event that brought together 350 musicians on the steps of the Brooklyn Public Library.

Tsioulcas has reported from across Europe, north and west Africa, south Asia and Cuba for NPR and other outlets. Prior to joining NPR in 2011, she was widely published as a writer and critic on both classical and world music, and was the North America editor for Gramophone Magazine and the classical music columnist for Billboard.

Born in Boston, Tsioulcas was trained from an early age as a classical violinist and violist. She holds a B.A. from Barnard College, Columbia University in comparative religion.

Updated below at 6:40 p.m. ET with defendants' response.

Was it a laudable snapshot of cross-generational jamming, or taking advantage of a jazz titan?

Valentina Lisitsa is a pianist whose worldwide reputation was built on social media. She is now experiencing a major backlash due to what she's been writing on Twitter.

It came to a head with the cancellation of Lisitsa's scheduled performances Wednesday night and Thursday night with the Toronto Symphony Orchestra, which announced earlier this week that she would not be appearing to play Rachmaninoff's Piano Concerto No. 2 with the ensemble and Finnish conductor Juka-Pekka Saraste. Both TSO management and Lisitsa have said she will still receive her full fee.

When you're all grown up, you — at least theoretically — put away childish things. But there are exceptions, as violinist Hilary Hahn proves in her latest recording project.

Dogs barking, wind howling, ice crunching, then the sudden "ch-ch-ch-ch" of a sawing beat: That's composer Derek Charke's opening salvo in his transporting piece Cercle du Nord III.

Ethan Hawke might strike you as an unlikely guide to classical music. But in directing his first documentary, Seymour: An Introduction, he created an intriguing and ultimately profoundly moving tribute to a largely unknown artist, 86-year-old pianist Seymour Bernstein.

There's a kind of little village of artisans on Manhattan's West 54th Street. In a couple of plain looking office towers, there are a bunch of rehearsal studios, violin makers' workshops and other music businesses. Behind one of those office doors on the 10th floor sits Frank Music Company — Frank's, as everybody calls it.

It was supposed to be a celebratory occasion, a high-profile performance of a piece given life by the orchestra that commissioned it — a young composer's music played by other young musicians.

Instead, the performance scheduled for Sunday of Jonas Tarm's music at Carnegie Hall by the highly regarded New York Youth Symphony (NYYS) has been canceled after it came to the attention of the ensemble's administration that the piece contains a quotation from the Nazi "Horst Wessel Lied."

By some measures, China is now the world's largest economy. It's also a gigantic market for American brands, from Hollywood blockbusters to KFC and Pizza Hut. But one Chinese conductor, Long Yu, would like these cultures to hear each other a little more clearly. He's launching a new project to do just that, and it's starting tonight with the New York Philharmonic.