Anastasia Tsioulcas

Anastasia Tsioulcas is an Associate Producer for NPR Music. In this role she is responsible for producing, blogging and occasional reporting on classical and world music.

Tsioulcas is co-host of NPR's classical music blog, Deceptive Cadence, and also produces live concert webcasts, ranging from Member Station co-productions to other live concerts and special events, including Field Recordings and Tiny Desk Concerts, that she's helped curate and produce.

While here at NPR, Tsioulcas has produced, coordinated and reported on a variety of topics and initiatives including rallying a few hundred singers to Times Square for a "flash choir" to sing the world premiere of a new Philip Glass piece, commissioned by NPR Music. Tsioulcas also had the opportunity to speak with Pulitzer Prize-winning composer Steve Reich about his piece WTC 9/11 and she produced and co-hosted a live concert at (Le) Poisson Rouge with legendary conductor Daniel Barenboim and his West-Eastern Divan Orchestra, comprised of players from Israel and across the Arab world.

Prior to joining NPR in April 2011, she was widely published as a writer on both classical and world music, and was the former North America editor for Gramophone Magazine and the classical music columnist for Billboard. She has also been an on-air contributor to many public radio programs, including WNYC's Soundcheck, Minnesota Public Radio's The Savvy Traveler, Public Radio International's Weekend America, and the BBC's The World. As a world music journalist, she has reported from across north and western Africa, South Asia and Europe on the music and culture of those regions.

Born in Boston, Tsioulcas was trained from an early age as a Western classical violinist and violist. She holds a BA from Barnard College, Columbia University in comparative religion.

Billboard magazine used to be known as "the bible of the music business," a trade publication trusted for its straightforward analysis of industry trends. But an anonymous questionnaire that leaked online last Thursday has some readers questioning Billboard's journalistic skills and integrity.

Composer Terry Riley turns 80 Wednesday. He's been called the father of minimalism for his groundbreaking 1964 work In C. But his influence has spread far beyond, sparking the imaginations of many artists, from cutting-edge electronic musicians to rock gods.

Why is classical music so hard to enjoy on streaming services? In one word, it's metadata. Metadata is the information that coexists with every digital music file: each and every piece of information about a selection of music that a listener might find useful to know, and what makes the information in one file discernible from the next. In the case of classical music, relevant and important metadata includes the name of the piece of music, the composer, the album it's from, the performers, the label that released the recording and the year it was recorded.

Margaret Juntwait was the mellifluous voice of the Metropolitan Opera's Saturday live radio broadcasts. She was also a longtime host at NPR member station WNYC in New York. Juntwait died Wednesday at age 58 of complications from ovarian cancer. The Met and WNYC have each offered tributes.

Updated below at 6:40 p.m. ET with defendants' response.

Was it a laudable snapshot of cross-generational jamming, or taking advantage of a jazz titan?

Valentina Lisitsa is a pianist whose worldwide reputation was built on social media. She is now experiencing a major backlash due to what she's been writing on Twitter.

It came to a head with the cancellation of Lisitsa's scheduled performances Wednesday night and Thursday night with the Toronto Symphony Orchestra, which announced earlier this week that she would not be appearing to play Rachmaninoff's Piano Concerto No. 2 with the ensemble and Finnish conductor Juka-Pekka Saraste. Both TSO management and Lisitsa have said she will still receive her full fee.

When you're all grown up, you — at least theoretically — put away childish things. But there are exceptions, as violinist Hilary Hahn proves in her latest recording project.

Dogs barking, wind howling, ice crunching, then the sudden "ch-ch-ch-ch" of a sawing beat: That's composer Derek Charke's opening salvo in his transporting piece Cercle du Nord III.

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