Recording Academy President and CEO Neil Portnow, host LL Cool J and Executive Vice President of Specials, Music and Live Events at CBS Entertainment Jack Sussman pose at the Staples Center in Los Angeles on Jan. 23, a few days before the 2014 Grammy Awards.
This Sunday's Grammy Awards ceremony is the annual big-ticket item for the National Academy of Recording Arts and Sciences. More than 28 million people around the world tuned in to watch the concert show last year. And this year's telecast is once again being touted as the most complicated — and expensive — production on TV.
Originally published on Fri January 24, 2014 1:42 pm
Just before 11 o'clock on a crisp Monday night in Hollywood, 82-year-old Kenny Burrell put his Gibson guitar in its velvet-lined case and said goodnight to several members of the Los Angeles Jazz Orchestra Unlimited. He had just finished an intermission-free, two-hour-plus set with the large ensemble, as he has done once a month since the summer. Waiting patiently among the suits and smiles was a 21-year-old guitarist eager to meet his idol. When the room finally cleared, Burrell was amiable and inquisitive, talking to the young fan about music and Michigan, where he grew up.
Odd musical mergers in the Grammy Awards telecast are nothing new — remember Paul McCartney, Linkin Park and Jay-Z singing "Yesterday?" Still, when thrash metal band Metallica and classical pianist Lang Lang take the stage together Sunday night, it may seem more like a head-scratcher than a clever match.
Originally published on Tue January 21, 2014 4:05 pm
She's probably not among your first, or second, or 10th, or 20th-round guesses, but the NFL just announced that American soprano Renee Fleming will sing the national anthem at Super Bowl XLVIII on Feb. 2.
Richard Powers' new novel, Orfeo, tells the story of an avant-garde classical music composer who finds himself dabbling in DNA. Like the Orpheus myth that inspired the book's name, this story takes its hero, Peter Els, on a journey. He becomes a fugitive accused of bioterror, but what follows is also a walk back into the recesses of his own memory told through the music and people he's loved and lost.