The first weekend of August saw the coronation of a new King of Hip-Hop. Like all transitions of power, it had been years in the making and orchestrated by powers both seen and unseen.

It's a story that could have been taken from a breaking news report: A soldier, gravely wounded in a brutal battle, flees the fighting to try and make his way home. Only this story is set during the Civil War.

The Metropolitan Opera is poised to make a big change.

When the fall production of Verdi's Otello opens next month, its lead character will not be wearing the traditional blackface-style makeup.

The Met tells NPR by email that its upcoming production of Otello will be the first without dark makeup since the company first produced the opera in 1891.

"They want to know if he's still got it..."

When Gustav Mahler said a symphony "must be like the world. It must embrace everything," I suppose he meant embracing accordions, too.

Gustav Mahler's sprawling Ninth Symphony is a 90-minute journey brimming with the joys of life, haunted by death and with a lot happening along the way. Accordionist William Schimmel has squeezed this immense musical canvas down to just 6 1/2 minutes. That takes some guts.

When the renowned radio personality and Grand Ole Opry fixture Bill Cody walked onto the stage at the Ryman Auditorioum to welcome Dolly Parton there for the first time in twelve years, he called her "the most beloved artist of all time." Then he quickly, almost imperceptibly, corrected himself, adding a qualifier: female artist." Who knows what flashed in Cody's mind in that moment — perhaps the face of Johnny Cash, the patron

The Newport Jazz Festival is under way this weekend in Newport, Rhode Island. Among the featured performers is a young pianist — a very young pianist — named Joey Alexander. He is 12 years old, completely self-taught and one of the youngest musicians ever to play the storied festival.