Music

Why is classical music so hard to enjoy on streaming services? In one word, it's metadata. Metadata is the information that coexists with every digital music file: each and every piece of information about a selection of music that a listener might find useful to know, and what makes the information in one file discernible from the next. In the case of classical music, relevant and important metadata includes the name of the piece of music, the composer, the album it's from, the performers, the label that released the recording and the year it was recorded.

Margaret Juntwait was the mellifluous voice of the Metropolitan Opera's Saturday live radio broadcasts. She was also a longtime host at NPR member station WNYC in New York. Juntwait died Wednesday at age 58 of complications from ovarian cancer. The Met and WNYC have each offered tributes.

Where do music historians go to find the sounds that shape the stories they tell? There are some obvious places, like the Library of Congress, whose National Jukebox offers more than ten thousand songs from the dawn of the modern age, or the Internet Archive, which overwhelms with its vast array of material and is especially rich for live recordings.

Digital Underground

Jun 3, 2015

The music sharing platform imeem thrived from 2004 until its shuttering in 2009 as a safe haven in the wilds of the semi-legal Internet. It was Napster without the piracy, a legal space for music makers and fans to share bedroom composition, videos of their latest dance moves, and the latest streamed — not downloaded — hits.

Recently, the rapper Jay Z relaunched the subscription streaming music service Tidal, which includes the option to listen to high-definition audio for $19.99 per month. Tidal's HiFi, with its uncompressed audio files, promises a better listening experience than any other streaming service on the market.

Would You Like To Hear A Song, Dave?

Jun 2, 2015

Late one Saturday morning last December, after a couple months using my Aether Cone, the "thinking" speaker played David Bowie's "Changes." I pressed the soft button in the center of the sleek, chrome-plated player, and out came the swaggering piano and sharp blast of sax. "Oh yeah," cooed Bowie. "That'll do just fine," I thought, walking away from the wireless speaker sitting on the desk in my bedroom in order to do a few chores.

Maria Yanez might be the present-day music industry's ideal customer. The 36-year-old from Long Beach, Calif., owns roughly 1,000 vinyl records. Though she has sold "a lot" of her CDs and stopped buying digital music about three years ago, she's mostly content with her paid Spotify subscription.

There was a moment in the mid-2000s when it seemed like we might be collecting songs, one-by-one, into eternity. Internet connections were getting faster, hard drives stored more data in tinier spaces, songs were easier than ever to find and available for little or no money. Every year, the new version of Apple's iPod, first introduced in 2001 with a now-adorable 5GB of storage space, held thousands upon thousands more songs.

A Band Of Their Own

May 30, 2015

Pages