Originally published on Thu November 20, 2014 7:22 pm
Gilberto Reyes is a musician who grew up to Mexican parents in Southern Texas. He says as a kid he was not afraid of El Cucuy, or the boogeyman. He was more concerned about Camelia La Tejana, or Camelia of Texas.
"I remember when I was a kid listening to the songs, thinking, 'Wow. Una bandida,' " Reyes says. "This incredible woman with power to make men do whatever she wants at her will, you know."
Originally published on Thu November 20, 2014 1:20 pm
Nora Jane Struthers is guided by fire. Coming up within the tradition-minded bluegrass world, she spent her youth in a family band with her father, a good daughter learning tradition. But since she's been leading her own band, the Party Line, Struthers has poured more and more emotion into her songwriting, coming up with some of the most quietly powerful narratives within the new wave of Americana artists.
Originally published on Wed November 19, 2014 7:53 pm
Brundibár, a children's opera that premiered during World War II, became both a symbol of hope and resistance and a Nazi propaganda tool. Now, Petite Opera, a small company in suburban Chicago, is reprising the opera, originally performed by Jewish children held in a concentration camp in occupied Czechoslovakia.
Originally published on Wed November 19, 2014 3:38 pm
Last weekend, at a sold-out, star-studded gala concert in Hollywood, Pharrell Williams and Herbie Hancock remixed Williams' hit "Happy," Kevin Spacey served up a compelling Frank Sinatra imitation singing "Fly Me To The Moon" and former President Bill Clinton offered a heartfelt reminiscence about his early days as a John Coltrane wannabe. ("Sometimes frustrated jazz musicians end up in another line of work and it ends up pretty good," he joked.) The opener was a jazz concert: Three virtuosic young trumpet players — Adam O'Farrill, Billy Buss and Marquis Hill — deftly negotiated standards.