It had been snowing all day and raining all evening when the doors opened at Output on Friday night right after 10 p.m. for Skrillex's appearance, so I felt ready for anything. Not that anyone was expecting too many surprises — a lot of hard, hiccuping beats and jackhammer bass, trap and dubstep and Dutch house, the lingua franca of mainstream nightlife the last few years — in short, what people mean by "EDM."
<em>American </em><em>Idol</em> winner Phillip Phillips, whose song, "Gone, Gone, Gone," went to No. 24 on the <em>Billboard </em>Hot 100. Each time it's played in public, the song's writers get a royalty, which is tracked and collected by ASCAP. Bigger hits usually translate into bigger checks.
Each month NPR Music asks public radio hosts and DJs to pick a favorite new song. Today we'll hear from Jason King, host of I'll Take You There, NPR Music's new 24 hour Soul and R&B stream. He's talking about his pick for Heavy Rotation: "No More" by Jeremih and Shlohmo.
A hundred years ago, the Italian operatic composer Giacomo Puccini was having lunch in New York with Victor Herbert, the leading composer of operettas in this country. Then, the band in the restaurant began playing music from Herbert's current hit, Sweethearts. Puccini became outraged, according to songwriter Paul Williams, the current president of the performing-rights organization ASCAP.