Pianist Slawomir Zubrzycki presents the "viola organista" on Oct. 18 in Krakow, Poland. Zubrzycki spent almost four years building the instrument, which is based on a late 15th-century design by Leonardo da Vinci.
Traveling folk singer John Craigie recently released his eighth studio album, The Apocolypse is Over. He sat down with WHQR's Jason Hess to talk about the role of the folk singer in contemporary American music culture. Listen to the radio-edit of the interview here:
Craigie also recorded two live songs while in the WHQR studios. Listen to these two exclusive tracks from WHQR Music:
The following song includes the genesis story of the song, along with a rumination on the value of living outside of the Nashville music scene:
With the holidays upon us, our friends at member station WQXR invited me along with Washington Post chief classical critic Anne Midgette and Sony Masterworks producer Steven Epstein, the winner of 17 Grammy Awards, to sit down with host Naomi Lewin for a Conducting Business podcast on the topic.
An extended ovation greeted conductor James Levine last May when he returned to performing after a two-year absence. In 2011, he resigned as music director of the Boston Symphony Orchestra and cancelled his performances at the Metropolitan Opera. He'd been plagued by health problems, injuries and operations, and it was painful for him to move. Many of his admirers, even he himself, feared he might never conduct again.
Bob Schneider finished writing "The Effect," a song from his latest album, Burden of Proof, in just a few days. That's how he does it: For 12 years, the Texas musician has beaten back the urge to procrastinate by writing a song once a week, every week. It began casually, just him and a friend sharing their songs with one another.
"I'll go home, write a song, you'll write a song, and then we'll come back here in two days and play 'em for each other," Schneider says. "That's basically how it started."