With the holidays upon us, our friends at member station WQXR invited me along with Washington Post chief classical critic Anne Midgette and Sony Masterworks producer Steven Epstein, the winner of 17 Grammy Awards, to sit down with host Naomi Lewin for a Conducting Business podcast on the topic.
An extended ovation greeted conductor James Levine last May when he returned to performing after a two-year absence. In 2011, he resigned as music director of the Boston Symphony Orchestra and cancelled his performances at the Metropolitan Opera. He'd been plagued by health problems, injuries and operations, and it was painful for him to move. Many of his admirers, even he himself, feared he might never conduct again.
Bob Schneider finished writing "The Effect," a song from his latest album, Burden of Proof, in just a few days. That's how he does it: For 12 years, the Texas musician has beaten back the urge to procrastinate by writing a song once a week, every week. It began casually, just him and a friend sharing their songs with one another.
"I'll go home, write a song, you'll write a song, and then we'll come back here in two days and play 'em for each other," Schneider says. "That's basically how it started."
Originally published on Mon November 25, 2013 9:27 am
There's a beguiling photo of Krzysztof Penderecki, who turns 80 today, inside the brochure of this week's Warsaw music festival that bears his name. It shows the lauded Polish composer standing in his immense garden, surrounded by a labyrinth of trees and shrubbery trimmed to symmetrical perfection.