Music

In 1938, Ella Fitzgerald sang her first big hit, "A-Tisket, A-Tasket," for a national audience on CBS Radio. Now, a global audience has access to this performance again — thanks to the discovery and restoration of the Savory Collection, a legendary private trove of nearly 1,000 recordings that haven't been heard by the general public since the 1930s. The National Jazz Museum in Harlem acquired them in 2010, and today they're beginning to make their way to a new generation of jazz fans.

The 59th Annual Grammy nominees were announced Tuesday morning, and while familiar names appeared among the five Latin music categories, there were also some nice surprises.

Ennio Morricone is as about close as a film composer can come to being a household name — and, at age 88, he's still going strong. This year, he was signed to a new record label and has now released a new recording, Morricone 60, named for the number of years he's been in the business.

You'd be forgiven for viewing nominations for the 59th Grammy Awards, announced Tuesday morning, as a battle between two powerhouse singers: Beyoncé, whose Lemonade leads the field with nine, and Adele, whose 25 has been a sales juggernaut since its release late last year.

The new film Jackie, opening in theaters across the country this weekend, begins with a blank, black screen, underscored by melting strings. It's our first indication that music will play a central role here, at times even more so than the title character.

The last time New York's Metropolitan Opera presented a work written by a woman was 113 years ago. It's a drought that lasted longer than the years between the Cubs' World Series victories. That situation has finally been rectified this week with the New York premiere of the opera L'Amour de Loin by Finnish composer Kaija Saariaho.

Christmas is coming, and soon TV screens everywhere will light up with that 1946 holiday classic, It's a Wonderful Life. But the same story is coming a little early to the stage of the Houston Grand Opera. That's right: An operatic version of George Bailey's struggle with life and death opens this Friday.

Librettist Gene Scheer admits that adapting such a beloved movie has sometimes felt like a fool's errand. "It's almost secular scripture, this piece," he says. "Everyone knows all the lines."

You can hear Harold Lopez-Nussa's training when he plays. The 33-year-old pianist is reluctant to admit the classical influence on his jazz playing, but he's quick to acknowledge that he, like many other great Cuban pianists, was classically trained. "This is the school that we have to learn music in Cuba; it's classical," he says. "I did all my stuff there from 8 years old to 25."

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