Oliver Wang

Oliver Wang is a music writer, scholar, and DJ based in California. Since 1994, he's written on popular music, culture, race, and America for outlets such as NPR, Vibe, Wax Poetics, Scratch, The Village Voice, SF Bay Guardian, and LA Weekly.

Wang begins work as an assistant professor in sociology at Long Beach State this fall; He also hosts the renowned audioblog soul-sides.com. For more information, visit o-dub.com.

Copyright 2014 NPR. To see more, visit http://www.npr.org/.



About 10 years ago, a disgruntled pianist in Los Angeles named John Wood began a popular bumper sticker campaign with the slogan, "Drum Machines Have No Soul." Not everyone was convinced, including producer Eric Sadler.

"Drum machines don't run themselves," Sadler says. "It's the people who put into the drum machines that give the drum machines soul, to me. I've definitely given some drum machines some soul."

The very first notes on Laura Mvula's new album feel like a powerful invocation. You're not sure for what, but the moment is awesome — with an emphasis on awe.

It's tempting to describe the voices of Charles Bradley and

R&B singers Nicole Wray and Terri Walker both had promising starts to their careers more than ten years ago. Wray came up on the Virginia coast under the wing of mentor Missy Elliott. Walker, a Londoner, was classically trained yet released her debut on a Def Jam subsidiary. Both enjoyed early critical success but by decade's end struggled to find a wide audience. Instead, they found each other.

Bill Withers' very first single became a breakout hit in 1971. He would go on to record nine albums over the next 14 years, and all of them are now available on a new box set, The Complete Sussex and Columbia Masters.